That was another part of the show I enjoyed - the twisted morality. That a hooker, albeit high class, was considered an "ambassador" and the most respected person on the ship. And the fact that a shepherd (a religious man in the show) was less well respected.
Anyway, it's still too soon to discuss the show's demise, the memories are still too strong.
Appreciate your point, but I think you missed mine.
Program makers have to sell their product to TV stations. TV stations seek to make money from advertising to pay for programming and profit.. Advertisers put their adverts in slots where there is likely to be an audience that will buy their products.
The days of artistic integrity are long gone, if they ever existed. That applies as much to movies as it does to TV. It certainly applies to novels.
Inventing a new sub-group within a given cultural set is just not going to happen. Advertisers will spend huge amounts and want a return.
Like it or not, including a practising prostitute in a TV series, especially one with prominent roles in the story line, meant the target demographic was unhappy men, between 18 and 40.
The space cowboy theme emphasised this. The nasty elements in the story lines, with gutsy, gung ho crew saving each day, further.
Now, what you going to sell to sad lonely men between 18 and 40?
Cigarettes? Beer? Sex chat channels on the internet? Buxum girls eager to chat over the phone for £3.50 per minute?