I guess you guys really liked isolated and closed development where tech progress which is crucial for a game like SC is not being shared. Arccorp used to be a tech teaser too. So was the procedural damage shader and many other things by now they are being implemented in to SC.
If you like the publisher model then I am not sure SC is your type of game to follow since it keeps sharing insights on their development weekly. If you dislike all progress shown and discredit it you really don't support the project going forward.
With respect, it's not the binary choice that you're suggesting.
The ED Damocles video was based on game play and the debug camera with post production touch ups. At the time it came out we were both positive and critical. I remember the Lave Radio episode and discussion beforehand where Fozz was totally gushing and John Stabler and I pointed out a couple of critical things.
The video you linked up is great. The sequence of explosions in terms of ambition and achievement suggests a great deal of good intention and hard work. The problem in part is highlighted by how the touch ups are being talked about, not how they are done. The people on the ground producing that content and aiming for that content in engine are worthy of praise, but there's a scepticism attached to the receipt of such content owing to the way in which many things have been portrayed over the development cycle. It reminds me of a mythology really, quite a technical mythology - a little like when you play a science fiction roleplaying game and a player tries to 'out tech' the GM so they can pull off something particularly outrageous.
The 'transparency' of SC's development has never felt particularly transparent to me. Perhaps I'm a jaded British male who had his fill of spin from Tony Blair, but I've always felt I'm being told a story and that the actual work is being dressed in different shiny clothes before it gets presented to me and that has seemed to be revealed in the reactions of CIG when criticised. I have more respect for a coal face 'as is' reportage, which you would not get from a publisher model. It feels a little like SC is presenting to its backers, like it might do to a publisher on a regular visit.
The words associated with the project have started to take on a religious or romantic flavour. Now, that can be all part of the narrative, it was for a while with ED, but in that kind of movie story, you have to eventually get to the third act and the resolution where you're supposed to deliver the happy ending. We're certainly in the second act right now, amidst all the conflict and adversity.