[up] Cheers man. Experience counts for quite a bit true but the software I find pretty OK to use, like you say, with practice. I certainly never read the instructions though!
I am lucky enough to have a basic set of plug in effects on there, and they do a lot of lifting - especially compressor, every track. Then you pick up tricks I suppose, like tying a loose overhand knot in your leads? (Don't know if anyone else does this but I decided recently it cuts noise?) or using a delay, which sounds a bit more modern as a subsitute reverb. (Always always tuner your guitars of course and laying down your guide track with sonar's onboard click is probably a must too; can be very useful in editing to be playing in synch with the clock). While we should take more care in mastering than we do, didn't have anything fancy on most recording though; Use a
Zoom Ps-04 to pre-process all the guitars to this day and likely vocals too. Sm58 microphone for vocals is definitely nothing fancy. I actually found mine, after an outdoor party event, clearing up. Apocalypse proof!
Over time you collect more stuff I suppose and these days have upped the input game to
Roland M-16DX mixer. Other fancy kit is
Roland TD-30K drums, fantastic aside from cymbals which are always achilles heel on electric kits (difficult to control in the heat of the moment). Got as a ridiculous steal, £400 on eBay (did have to drive to Scotland though) but playing silently on headphones, that's wow. Last hi-tech baby is
Roland Juno-G keyboard which has a lot of function for the money; sequencer, squelch filters and even a built in theramin, you can assign to control effects. I'm a one finger keyboard player though; any old pad sound with some distortion, phase and delay .. can get you some really nice weird sounds and I reckon that'll do as a rule, for a mid range polyfilla.
into void (following the lips of the system)