Fiction Elite : Reclamation

I think my previous post might have been unclear - my first paragraph was about taking the mysterious style that worked so well in the teasers, not reusing the content. A better way to put it would have been - pose more questions, give fewer answers.

Then halfway through writing the post, that train of thought collided with a Kate Russell-inspired transmedia/analytics/rapid feedback train of thought and the second paragraph was an attempt to recover a coherent argument from the wreckage. A better way to put that argument would have been - you have a lot of good work wrapped up in the trailers, finding some way to use that on the back cover (e.g. linking to them) could be good value for time. That doesn't have to be as part of the blurb :)

Having said all that, this paragraph:

Lady Kahina Tijani Loren; high-born of Imperial Society. They assassinated her family. They destroyed her home. Then they murdered her. Only they underestimated her too.

... is great. The pacing shows you can really depict a fall from grace and rise back, and the mystery screams "human story in a sci-fi world". The teaser version of that paragraph gobbled up more of my mental energy than any other over the past year, so I for one will very much be reading the book to see if my theory was correct.

Reading the whole text again, some more points occur to me:

  • I'd recommend dropping the word "Tantalum". Anyone that gets the reference will be sold just by the ED logo on the spine, and three syllables with a comma disrupts the flow of a paragraph that already does easily enough to entice techy sci-fi fans
  • the first paragraph is in the past tense, the rest in the present. That would be fine in normal text, but it reduces the impact of the blurb
  • It took a few readings for "everyone thinks they're the reasonable one" to emerge from the text. That might just be because of the past/present thing, but actually I think there are too many actors (Lady Kahina Tijani, Chione, Empire, Federation and rebels). What if you changed the last bit of the second paragraph to something like "had acted legally in securing it from the Federation", and removed the next two paragraphs?
 
Good stuff.

I've played about with it and this has gone for a bit of editorial finesse.

Cheers,

Drew.


Lady Kahina Tijani Loren, high-born of Imperial Society, is caught in a high-stakes political coup when a crucial raw material for hyper-drive technology is discovered on the beautiful moon of Chione.

Imperial warships move swiftly to secure it.

Outmanoeuvred, the Federation backs local insurgents in a bid to destabilise the situation and wrest back control.

They assassinate her family. They destroy her home. Then they murder her. Only they underestimate her too.

Federation and Imperial fleets mass for an ultimate confrontation and a quest for vengeance becomes the only hope for peace.
 
Specifics, you say? Hmm... difficult, but it just doesn't sound right. This line: 'They assassinate her family. They destroy her home. Then they murder her. Only they underestimate her too.' For me, the short, sharp sentences don't work, nor does the tense. Way back at the start, you used something similar as the hook - that was better. As for the first paragraph, I can't really explain what I feel is wrong. I'd have to reword it, and as I'm by no means an expert, I'm not sure that I should.

I'll have a ponder over a coffee though.
 
Aye - as a reader, I find that a brief, but pertinent, extract from the actual text often works as back-cover blurb.

As for rewording the first paragraph, how about something like this: 'When an abundance of a rare element, vital for hyperspace technology, is discovered on the beautiful moon Chione, the Imperial Fleet moves swiftly to secure it. Outmanoeuvred, the Federation backs local insurgents in an effort to destabilise the situation, and the Lady Kahina Tijani Loren, high-born of Imperial Society, finds herself caught-up in a bloody coup.'
 
Caught in a desperate political coup, the eyes of the Imperial Lady Kahina Tijani Loren turn to the beautiful moon of Chione where the discovery of a technological jewel is about to change the galaxy.

As shadows of Imperial warships begin to eclipse Chione, the hopes of the Federation fall to it's people.

She follows her family through screams of darkness, and there her legacy is born through death.

Her tormented wrath becomes the only hope for peace as above, confronting Imperial and Federation forces look to reclaim her vengence.





Bear in mind I have no idea what this story is about (apart from the paragraph I just twisted), but though I'd throw you a few lines anyway :p
 
Lady Kahina Tijani Loren, high-born of Imperial Society, is caught in a high-stakes political coup when a crucial raw material for hyper-drive technology is discovered on the beautiful moon of Chione.

Imperial warships move swiftly to secure it.

Outmanoeuvred, the Federation backs local insurgents in a bid to destabilise the situation and wrest back control.

They assassinate her family. They destroy her home. Then they murder her. Only they underestimate her too.

Federation and Imperial fleets mass for an ultimate confrontation and a quest for vengeance becomes the only hope for peace.

So this time, my critique came out paragraph by paragraph. Apologies for the negative tone - the story does sound great, but I figure a great blurb requires hypercritical notes, so I've scaled up my rhetoric appropriately.

Paragraph 1 is too complicated now, and pulling the reader from a human thing to a political thing to a tech thing to an astronomy thing doesn't leave enough time for any of them to make an emotional impact. Having the small picture in one paragraph and the big picture in the other made a nice juxtaposition, which conveyed what I understand to be the style we can expect from the book.

Paragraph 2 is an appropriately swift strike for a swift action. The only criticism I'd make is that it might be a smidgeon too clean. It wouldn't hurt to shunt a little of the Empire's self-interest into that paragraph, but if it doesn't work out that way it's fine.

Paragraph 3 isn't bad, but "destabilise the situation and" seems redundant. Backing local insurgents implies destabilisation, spelling it out violates show-don't-tell.

I'm still not convinced the Federal/rebel thing needs to go in the blurb, but half-understanding the new paragraphs 3 and 4 makes me think the "they" are the Feds, whereas before it left me unsure who "they" were. Close enough for me :)

Paragraph 4 conveys the emotional heart of the piece, so it needs to read more like music than text. The equivalent paragraph in the previous version really worked - a chilled start, a thumping middle and a powerful crescendo. Similarly, the version in the trailers worked because you could control the reading speed to the actual background music. The current paragraph almost works, but not quite. You could create the sense of a gathering storm by removing "then" from sentence 3, so each sentence would be shorter than the last. That would set up the "you shall not pass" in the last sentence but the text needs something to make it click. Maybe that soft "only" should be a terse "but"? Maybe the trailing "too" breaks the rhythm of "her"s? I'm afraid my language fails me at this point.

And in the final paragraph, I still think "Federation and Imperial fleets mass for an ultimate confrontation" shows too much leg. You've already got the Kill Bill theme in people's heads, acknowledging it is like having The Bride look at the camera and say "do you like my theme song?". Also, "Federation" should be "Federal", and either a confrontation is ultimate or it isn't, it can't be one amongst many :p
 
Lady Kahina Tijani Loren, high-born of Imperial Society, is caught in a high-stakes political coup when a crucial raw material for hyper-drive technology is discovered on the beautiful moon of Chione.

Imperial warships move swiftly to secure it.

Outmanoeuvred, the Federation backs local insurgents in a bid to destabilise the situation and wrest back control.

They assassinate her family. They destroy her home. Then they murder her. Only they underestimate her too.

Federation and Imperial fleets mass for an ultimate confrontation and a quest for vengeance becomes the only hope for peace.

I think a lot of the background stuff is a bit irrelevant. Just stick to the interesting stuff:


Lady Kahina Tijani Loren, high-born of Imperial Society, becomes caught in the backhanded dealings of prideful powers. In a web of politics and a bloody coup she finds herself surrounded by enemies.

They kill her family. They destroy her home. Then they murder her.

But they underestimated her.

As Federation and Imperial fleets mass for an ultimate confrontation Lady Loren's quest for vengeance becomes the only hope for peace.
 
I've only read the most recent version of the blurb and the last few posts, and haven't really followed the development of the book, but am looking forward to reading it. From my uninformed position (and currently slightly tipsy on a 2006 bottle of Pomerol), I'd say, put the lead character up front.

"They assassinated her family. They destroyed her home. Then they murdered her. But they underestimated her too...

When a material crucial for hyper-drive technology is discovered on the beautiful moon of Chione, Lady Kahina Tijani Loren - high-born of Imperial Society - finds herself embroiled in a political coup.

Imperial warships move swiftly to secure the system. The Federation backs insurgents to destabilise the situation and wrest back control. Two fleets mass for the ultimate confrontation.

A quest for vengeance becomes the only hope for peace..."

Not at all sure if I've kept the original meaning alive though!
 
I'm a bit late jumping on this but what is wrong with what you used on your kickstarter?

That was quite good. short and sweet and full of hooks.

"They assassinated her family.

They destroyed her home.

Then they murdered her.

NOW, she wants revenge." full-bloody-stop.
 
I'm a bit late jumping on this but what is wrong with what you used on your kickstarter?

That was quite good. short and sweet and full of hooks.

"They assassinated her family.

They destroyed her home.

Then they murdered her.

NOW, she wants revenge." full-bloody-stop.
I tend to lean towards the shorter is better thing as John has suggested (though I don't like his last sentence, FWIW.)

Just as well I already paid, I'm not sure I would have bought it from some of these blurbs ... :rolleyes::D:eek:
 
I'm a bit late jumping on this but what is wrong with what you used on your kickstarter?

That was quite good. short and sweet and full of hooks.

"They assassinated her family.

They destroyed her home.

Then they murdered her.

NOW, she wants revenge."

Yup, that has style and punch - might be worth considering.
 
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I guess the issue is if we all have short staccato sentence blurbs it all may look a bit prescriptive.

I think sticking to the accessible elements of the opening and easing back on the jargon, titles and stuff can be given in the text. Shape the writing around what happens and ensure no solution is given away.
 
£8 or higher backers to Elite: Reclamation should now be able to access their first pledge award, my short story, "Written in the Stars". Please check your email for details.

Cheers,

Drew.
 
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